Chhaava is a 2025 Hindi-language historical action film that brings to life the epic story of Chhatrapati Sambhaji Maharaj – the second ruler of the Maratha Empire. Directed by Laxman Utekar and produced by Dinesh Vijan of Maddock Films, this movie is an adaptation of the acclaimed Marathi novel Chhava by Shivaji Sawant. Starring Vicky Kaushal in the titular role, alongside Rashmika Mandanna and Akshaye Khanna, Chhaava has quickly become one of the most talked-about films of 2025 for its blend of rich history, high-octane battles, and emotional depth. Below, we delve into the film’s storyline, cast, production, and why it’s an experience you wouldn’t want to miss.
1. Storyline – Plot Summary, Key Themes & Historical Significance
Plot Overview: Chhaava chronicles the turbulent reign of Chhatrapati Sambhaji Maharaj, son of the legendary Shivaji. The story picks up in 1680 with the death of Shivaji, after which the ambitious Mughal emperor Aurangzeb (Akshaye Khanna) expects the Maratha resistance to crumble. However, Sambhaji (Vicky Kaushal) swiftly ascends to the throne and proves the Mughals wrong by launching a daring attack on the Mughal stronghold of Burhanpur, even fighting off a lion in a trap chamber before vanquishing the enemy general. This victory shocks Aurangzeb and sets the stage for an epic confrontation between the Maratha forces and the Mughal Empire.
As Aurangzeb marches south with a massive army to crush the Marathas, Sambhaji faces threats both external and internal. Court conspiracies brew to replace him with his half-brother Rajaram, and betrayal by some of his own relatives nearly costs him his life. Despite these challenges, Sambhaji leads a guerrilla campaign, using the rugged Deccan terrain to bleed the Mughal army with tactical brilliance. The film’s climax is intense and heart-wrenching – Sambhaji is finally captured through treachery, and in Aurangzeb’s custody he endures gruesome torture yet refuses to surrender or renounce his ideals. His unwavering bravery up to his brutal execution cements his status as a martyr, inspiring his people to continue the fight for swaraj (self-rule) even after his death.
Key Themes: At its core, Chhaava is a story of valor, sacrifice, and the fight for freedom. It highlights Sambhaji’s determination to uphold his father Shivaji’s legacy of Hindavi Swaraj (self-governance) against overwhelming odds. Themes of patriotism and resilience run throughout the narrative – even in the face of betrayal and horrific torture, Sambhaji’s spirit remains unbroken, symbolizing the undying quest for independence. The film also delves into the personal struggles of a king: Sambhaji’s relationships with his wife Yesubai (Rashmika Mandanna) and his trusted generals show his human side, balancing the larger-than-life battles with intimate moments of loyalty, love, and loss. By portraying the nine-year reign of Sambhaji – a figure often overshadowed by Shivaji in textbooks – Chhaava shines a light on a pivotal chapter of Maratha and Indian history that is both educational and inspiring.
Historical Significance: Sambhaji’s reign (1680–1689) was a crucial period in which the Maratha Empire not only survived the onslaught of the Mughal forces but also sowed the seeds for eventual Maratha resurgence. Chhaava captures this significance by dramatizing landmark events like the Coronation at Raigad in 1681, the relentless Mughal-Maratha war across the Deccan, and Sambhaji’s ultimate sacrifice which, as noted in the film’s epilogue, was not in vain – the Marathas would prevail within a few decades of his death. The film’s title “Chhaava” itself means “lion cub” in Marathi, reflecting Sambhaji’s identity as the heir of a lion (Shivaji) and a fierce warrior in his own right. Through its storytelling, Chhaava aims to acknowledge the bravery of Sambhaji Maharaj that most history books haven’t done justice to, making it more than just entertainment but also a tribute to one of India’s revered heroes.
2. Cast & Crew – The Team Behind Chhaava
Main Cast:
Vicky Kaushal as Chhatrapati Sambhaji Maharaj – Vicky delivers a powerhouse performance as the brave Maratha king, capturing both the ferocity of a warrior and the anguish of a leader carrying his father’s legacy. Critics have noted this role as one of Vicky’s finest, where he “roars like a tiger in every scene” with commanding screen presence.
Rashmika Mandanna as Yesubai Bhonsale – Rashmika portrays Sambhaji’s wife, Maharani Yesubai, bringing grace and emotional weight to the film. Though her screen time is limited, her character anchors Sambhaji’s personal life and the emotional core of the story, especially in scenes of reunion and in upholding his legacy after his death.
Akshaye Khanna as Emperor Aurangzeb – Akshaye embodies the formidable Mughal emperor with a steely resolve. His portrayal of Aurangzeb’s cold, calculated tyranny – from vowing not to crown himself until Sambhaji is defeated to the merciless interrogation of the Marathas – has been lauded. His intense “cold stares” and measured dialogue delivery make him a memorable antagonist.
Ashutosh Rana as Senapati Hambirrao Mohite – Veteran actor Ashutosh Rana plays Sambhaji’s chief military commander. He adds gravitas in depicting the loyalty and martial prowess of Maratha generals, especially in battle sequences where Hambirrao fights alongside Sambhaji.
Divya Dutta as Maharani Soyrabai – Divya Dutta takes on the role of Soyrabai (Sambhaji’s stepmother). Her nuanced performance captures the palace intrigue aspect of the story, as Soyrabai’s clandestine plotting with Aurangzeb’s camp against her stepson adds a layer of betrayal and drama.
Diana Penty as Zinat-un-Nissa – Diana appears as Aurangzeb’s daughter, Princess Zinat-un-Nissa. She is involved in a subplot attempting to capture her brother Akbar and reflects the Mughal side’s inner conflicts.
(The film features a large supporting cast, including Neil Bhoopalam as Prince Akbar, Varun Buddhadev as Rajaram, Santosh Juvekar, Vineet Kumar Singh, and others, with a special voiceover cameo by Ajay Devgn narrating the introduction.)*
Crew Highlights:
Director: Laxman Utekar – In his first historical epic, Utekar shifts gears from his previous mid-sized films (Luka Chuppi, Mimi) to deliver a sprawling period drama. He not only directs but also co-wrote the adapted screenplay. Utekar’s vision was to tell Sambhaji’s story because “everyone knows Shivaji, but no one knows about Sambhaji… such a great warrior, why are we not talking about his life?”. This passion translates on screen through his careful blend of action and human drama. Critics have praised Utekar’s direction as “splendid”, noting that he handles the film’s grand scale with proficiency while keeping the narrative engaging.
Producer: Dinesh Vijan – Backing Chhaava under the Maddock Films banner, Vijan adds another ambitious project to his resume. Known for hits in 2024 (Stree 2, Munjya, etc.), Maddock Films supported Utekar’s grand vision, contributing to high production values. 2024 was a phenomenal year for the studio, and Chhaava continues that success streak.
Writers: Laxman Utekar, Rishi Virmani, Kaustubh Savarkar, Unman Bankar, Omkar Mahajan – This team adapted Shivaji Sawant’s novel into a screenplay that balances historical events with cinematic flair. The dialogue (penned by Rishi Virmani) ranges from royal court politeness to rousing battle cries, even incorporating Marathi phrases and slogans of the era.
Music Composer: A. R. Rahman – The Oscar-winning composer gives Chhaava a dramatic musical backdrop. His score uses traditional Maharashtrian instruments (like dhol-tasha drums and tutari horns) blended with orchestral swells, heightening the emotional and epic moments. The soundtrack includes “Aaya Re Toofan,” an adrenaline-pumping war-cry anthem that stands out and has become a fan favorite. (Rahman’s music is particularly effective in battle scenes, though one romantic track was noted by some as sounding a bit modern for a 17th-century setting.)
Cinematography: Saurabh Goswami – As Director of Photography, Goswami paints the film in grand visuals. From sweeping shots of fortress landscapes to intimate palace interiors lit by torches, the cinematography emphasizes the scale of war and the gravity of court intrigue. Many scenes use low-angle shots to make Sambhaji and Aurangzeb appear larger-than-life, conveying their power and the high stakes of their clash (a technique viewers appreciated for adding intensity). The climactic battle and one-on-one duels are captured in long takes and wide frames, making the action clear and immersive.
Production Design: Subrata Chakraborty & Amit Ray – The production designers deserve a special mention for recreating the 17th-century world with astonishing detail. They constructed elaborate sets like the Raigad Fort court (complete with an eight-sided throne for the coronation scene), and Aurangzeb’s royal camp, as well as battlefields strewn with period-accurate weaponry and props. Their work, alongside art direction and set decoration teams, gives Chhaava its authentic look.
Costume Design: Sheetal Sharma – From the regal Maratha sarees and turbans to Mughal robes and armor, the costumes in Chhaava vividly reflect the era. Sheetal Sharma’s team used rich fabrics and historically-researched designs: you’ll notice details like the Maratha warriors’ traditional turbans (pagadis), Aurangzeb’s simple white robes, and Sambhaji’s battle armor emblazoned with Maratha insignia. These costumes not only look splendid on screen but also help actors fully embody their historical characters, enhancing the film’s authenticity.
Together, this talented cast and crew have built Chhaava into a cinematic spectacle that marries strong performances with technical excellence.
3. Budget & Box Office Collection – From Big Investment to Blockbuster
Bringing a grand period film like Chhaava to life required a significant budget, and the makers spared no expense. The estimated production budget for Chhaava was around ₹130–140 crore (approximately $16–17 million), placing it among the higher-budget Bollywood films in recent years. This hefty budget is evident in the film’s lavish set pieces, extensive VFX for war scenes, hundreds of background actors in battle and dance sequences, and authentic costumes. With A.R. Rahman on board for music and large sets constructed, the investment was utilized to ensure a high-quality output.
Box Office Performance: Chhaava proved to be a massive commercial success, translating its big budget into even bigger returns. It has grossed over ₹700 crore worldwide within its theatrical run. In fact, by Day 25 in theaters, the film had surpassed ₹705 crore globally, making it the highest-grossing Indian film of 2025 so far and one of the top ten highest-grossing Hindi films of all time. This is a staggering achievement – to put it in perspective, Chhaava earned more than 5 times its budget at the box office. Below are a few financial highlights:
Record Opening: On its opening day (Feb 14, 2025), Chhaava raked in about ₹31 crore in India, the biggest first-day collection ever for a Vicky Kaushal starrer. This strong start indicated huge audience interest, especially in Maharashtra where fans flocked to see their beloved historical icon on screen.
India vs Overseas: While the film was especially dominant in the Indian market (crossing ₹500 crore domestically in just 3 weeks), it also performed well overseas thanks to the diaspora and history enthusiasts, contributing to the worldwide total of ~₹708 crore.
Top of 2025: Chhaava currently stands as the top-performing film of 2025, outpacing other Bollywood and South Indian releases of the year. Its box office trajectory remained strong through subsequent weeks, with minimal drops even as it entered the second month – helped in part by positive word-of-mouth and repeat viewings.
Break-even & Profits: Given its ₹130cr budget, industry analysts estimate Chhaava broke even early in its theatrical run and has generated significant profit for the producers and distributors. Ancillary revenues (music, satellite rights, etc.) will only add to its success story.
This robust financial performance not only underscores the film’s popularity but also highlights a trend of audience appetite for well-made historical epics. Chhaava’s box office dominance, crossing the ₹700 crore mark in under a month, solidifies Vicky Kaushal’s status as a bankable star and shows that movies rooted in Indian history can draw crowds nationwide (the film’s success wasn’t limited to Maharashtra – it had packed theaters from North to South India). For context, Chhaava has outgrossed previous historical hits like Padmaavat and Tanhaji in lifetime collection, entering Bollywood’s record books. It’s a true blockbuster by any measure, proving that the gamble of a big budget paid off handsomely.
4. OTT Release – When and Where to Stream Chhaava
After its triumphant theatrical run, Chhaava is headed to streaming platforms, much to the excitement of those who missed it in cinemas (or fans eager for a re-watch). Netflix has reportedly acquired the digital streaming rights for Chhaava, making it the film’s exclusive OTT home in the near future. While the exact premiere date on Netflix has not been officially announced as of now, industry buzz suggests that the movie will become available online by late March or early April 2025.
Typically, Bollywood films adhere to a 45–60 day window after theatrical release before dropping on OTT. Chhaava hit cinemas on February 14, 2025, so a late-March release on Netflix fits this pattern. Viewers can expect the film to stream in high definition, possibly even with an option to watch in its IMAX-enhanced format (given that Chhaava was released in IMAX in theaters, Netflix might offer an improved aspect ratio on compatible devices).
Where to Watch: Once it’s live, subscribers worldwide will be able to find Chhaava on Netflix by searching for the title. For Indian audiences, the film will likely be available in Hindi (original audio) with options for subtitles in multiple languages, and possibly dubbed versions in languages like Marathi (owing to the subject’s regional significance) or English for global viewers – although confirmation on dubs is pending. Netflix often announces such high-profile additions a couple of weeks in advance, so keep an eye on their “Coming Soon” section or official social media for the exact date.
What to Expect on OTT: With its OTT debut, Chhaava can be paused and pored over – which is great for history buffs who might want to catch all the details. Expect the same uncut theatrical version given the film already has an all-India censor clearance. The streaming release will allow a wider audience to experience the film’s grandeur from the comfort of their homes. Moreover, Netflix might include bonus content like behind-the-scenes footage or interviews in the Chhaava title page (they sometimes do for big releases), though this isn’t guaranteed.
In summary, if you prefer streaming, mark your calendar for end of March 2025. Chhaava will soon be just a click away on Netflix, following its highly successful big-screen run. Whether you’re watching for the first time or revisiting for the spectacular war sequences, the digital release ensures this epic tale of Sambhaji Maharaj reaches an even wider audience worldwide.
5. Reviews & Audience Reception – Critical Acclaim, Critiques & Fan Reactions
Chhaava opened to mixed-to-positive reviews from critics, while audience reception has been overwhelmingly enthusiastic. Here’s a breakdown of how the film fared in terms of reviews and what moviegoers are saying:
Critical Reviews: On the review aggregator Rotten Tomatoes, Chhaava has about 36% positive reviews (average rating ~6.2/10) from critics, indicating a divided critical response. Indian film critics were split in their opinions, with many praising the film’s ambition and entertainment value, and others pointing out its shortcomings.
Several reviewers lauded Chhaava as a rousing historical spectacle and a fitting tribute to Sambhaji. For instance, Zee News gave it 4★ out of 5, stating that “Chhaava is much more than just an action-packed period drama; it’s a film that resonates with its historical significance while maintaining its emotional core.”. Bollywood Hungama also rated it 4★, calling it “a gripping historical spectacle that enthrals and pays tribute to Chhatrapati Sambhaji Maharaj” (emphasizing that it’s both entertaining and respectful to history). Many noted that the second half of the film and the climax were exceptionally well-executed, keeping viewers on the edge of their seats. The grand scale of production and adrenaline-pumping battle sequences earned applause; Renuka Vyavahare of Times of India (3.5★) wrote that the fight scenes are “well choreographed and executed” and that “the last part of the movie has been splendidly shot and deserves a theatrical viewing”. The Week (3.5★) similarly appreciated how the narrative “runs beautifully across all its frames” without losing track of the plot amidst the grandeur.
Vicky Kaushal’s performance is a common point of praise across almost all reviews. News18 (3.5★) highlighted Vicky’s “outstanding portrayal” of Sambhaji, which carries the film and effectively captures the king’s legacy. Filmfare (3.5★) noted that the movie’s intensity is anchored by Vicky’s “powerhouse performance,” even if it felt the script left some of Sambhaji’s personal complexities unexplored. Akshaye Khanna’s turn as Aurangzeb also received positive mentions for its menacing subtlety, adding to the film’s dramatic tension.
On the flip side, some critics were less impressed. Indian Express and NDTV both gave Chhaava a lukewarm 2.5★. They pointed out that while the film is grand, it can be “ultra-loud, ultra-violent, and exhausting” in terms of sensory overload. A few reviews argued that Chhaava leans into simplicity: The Quint (2.5★) felt the film wasn’t “brave” enough to deeply explore Sambhaji’s character beyond the surface heroics. Critics like Rahul Desai from Hollywood Reporter (India) opined that the film plays it safe and is “blinded by its own reflection,” hinting that it prioritizes spectacle over nuance. The Hindu commented on the film’s tone, suggesting it struggles between being historically accurate and catering to current nationalist sentiments. These critics suggest that Chhaava might have sacrificed some depth and historical complexity for broad appeal and dramatic effect.
Overall, the critical consensus might be summarized as: Chhaava is an entertaining and grand historical drama with a stellar lead performance and breathtaking moments, but it isn’t without flaws in storytelling pace and nuance. It succeeds wonderfully in spectacle and emotion, even if it stumbles on finer narrative intricacies. As one reviewer put it, “Chhaava doesn’t aim to be exceptionally different, but it masters the art of navigating mainstream waters”, indicating that the film sticks to a tried-and-true epic formula and largely delivers on it.
Audience Reception: General audiences have embraced Chhaava with open arms, as reflected in its huge box office and social media buzz. Cinema-goers in Maharashtra reportedly gave the film a thunderous response, with many shows in cities like Mumbai, Pune, and Nagpur running house-full during the first weeks. Viewers have been particularly moved by the patriotic fervor and emotional high points – Sambhaji’s last stand and his refusal to bow to Aurangzeb often leave the audience teary-eyed and applauding. On social media, hashtags like #Chhaava and #SambhajiMaharaj trended around the release, with fans calling the film “a goosebump-inducing experience” and praising how it made them feel proud of Maratha history.
Audience scores are notably higher than critics’. On IMDb, for example, Chhaava holds a strong user rating (in the high 8’s/10 at the time of writing), and user reviews are glowing. One such user review described Chhaava as “not just a film – it’s an experience, a lesson in history, and a tribute to one of India’s bravest rulers”. Many viewers echo this sentiment, recommending the movie to both history enthusiasts and those looking for a powerful drama. Families have been attending in large groups, and in parts of Maharashtra, some screenings almost have a rally-like atmosphere with audiences chanting “Har Har Mahadev” (a slogan associated with Marathas) during battle scenes.
It’s also worth noting that the film stirred discussions on historical accuracy among the audience. Some historically knowledgeable viewers pointed out a few creative liberties taken in the film’s narrative or depiction of events. However, the consensus seems to be that these are minor in the grand scheme, and the movie successfully captures the spirit of Sambhaji’s story. In fact, the energy and emotion of the film prompted many young viewers to go read about the real history, which is a positive outcome the filmmakers likely hoped for.
Awards & Ratings: While it’s early for awards (and the film industry year isn’t over), there’s already buzz that Chhaava might bag technical awards for its VFX or sound design, and possibly acting nods for Vicky Kaushal. Cinema halls reported high audience satisfaction scores in post-show surveys. By and large, if you scan through Twitter or talk to someone who’s seen Chhaava, you’ll hear that it’s a “must-watch for every Indian” and that its emotional impact lingers long after the credits roll.
In summary, Chhaava may have divided the critics to an extent, but it united the audience in applause. It stands as a reminder that a film made with heart about a culturally significant figure can touch a chord with the masses, even if it doesn’t please every critic. If you value audience word-of-mouth, know that Chhaava comes highly recommended as a stirring, satisfying epic.
6. Direction & Picturization – Cinematic Style, Visual Aesthetics & Storytelling
Laxman Utekar’s direction in Chhaava is a major driving force behind the film’s impact. Steering a project of this magnitude is no small feat, especially for a director known for contemporary dramas. Yet Utekar rises to the challenge, delivering a film that is visually sumptuous and emotionally engaging.
Direction Style: Utekar treats Chhaava as both a history lesson and a mainstream action drama, striking a balance between factual events and cinematic flair. He builds the narrative on a massive canvas, giving Chhaava the larger-than-life appeal it deserves. From the very first frames, where the camera pans across the Mughal court learning of Shivaji’s death, you sense the director’s intent to awe the audience. Utekar doesn’t shy away from the operatic – Sambhaji’s introductory scene, for instance, is crafted for maximum heroism with a slow-motion entry on the battlefield that electrifies the audience. This set-the-mood approach is effective in pulling viewers into the period and the protagonist’s aura.
What’s commendable is that Utekar interweaves intimate moments amidst the grandeur. He has stated that he wanted to focus not just on action but also on Sambhaji’s personal relationships and the court politics. In practice, this means that after an intense battle sequence, the film slows down to show, say, Sambhaji sharing a tender moment with Yesubai or a tense confrontation with a betrayer in his inner circle. These shifts give breathing room to the story and allow character development. The director’s handling of these transitions has been praised – Bollywood Hungama’s review noted that Utekar’s direction is “splendid”, and that he handles the grand scale “like a pro”, ensuring the film is not just a string of battles but a saga with family conflict adding a nice touch to the proceedings.
Picturization & Cinematography: Visually, Chhaava is stunning. Cinematographer Saurabh Goswami works in tandem with Utekar to create frames that often look like paintings. The picturization of key sequences stands out: for example, the Burhanpur raid at the film’s start is shot with dynamic camera movements – tracking shots follow Maratha soldiers running through smoke-filled fort corridors, and there’s an impressive wide shot of the Marathas breaching the city gates under a twilight sky. The color palette transitions to match the narrative: golden hues and celebratory visuals during the coronation and victory scenes, versus stark, desaturated tones during Sambhaji’s imprisonment and torture, amplifying the mood of those scenes.
One notable directorial choice is the use of low-angle shots and imposing compositions for both Sambhaji and Aurangzeb. Whenever these leaders appear, the camera often shoots from below or frames them against vast backgrounds (the sky, a palace hall, an army formation), making them appear towering and dominant. This conveys their power and larger-than-life status – an aspect even casual viewers felt, remarking how Sambhaji truly looks like the “tiger” of the land in every confrontation (mirroring his nickname Chhava, the lion cub). A Reddit user insightfully noted that the cinematography “helped convey terror and power by using a lot of low-angle shots for both Sambhaji and Aurangzeb,” which reinforces the gravity of their clash.
Editing & Narrative Flow: The film’s editing by Manish Pradhan keeps a mostly brisk pace. At 161 minutes runtime, Chhaava covers nearly a decade of historical events. The first half sets up character motivations and smaller conflicts, while the second half barrels forward with sustained tension. Some critics felt the first half was a bit “dry” or disjointed – basically a series of events without a strong connective tissue. It includes a couple of song montages and expository scenes that, while informative, slow the momentum. However, post-interval, the editing tightens. The cross-cutting between Aurangzeb’s campaign and Sambhaji’s guerrilla tactics generates excitement, and the final battle and its aftermath are edited for maximum emotional punch. By the time the climax arrives, viewers are so invested that Sambhaji’s last stand feels both rousing and harrowing.
The direction shines most in the action sequences and the climactic showdown. Utekar coordinates large-scale battles with clarity – you can follow the strategies and movements on the battlefield without confusion, which is testament to good direction and editing. The one-on-one duel between Sambhaji and the Mughal commander early on (after the lion pit escape) is a highlight, choreographed and shot in a way that every sword clash and move is in focus, allowing the audience to appreciate the combat skills.
Visual Effects & Sound: Considering the scale, Chhaava uses visual effects (VFX) extensively but smartly. Hundreds of digital soldiers, CG fort extensions, and blood-splatter effects are blended in. The VFX work (supervised by teams from Assemblage and ReDefine) is largely seamless. Scenes like Aurangzeb’s vast encampment or the background of Raigad Fort’s summit are partly digital, yet they integrate nicely with real sets and locations. Utekar also doesn’t overdo the slo-mo or gimmicky effects; they’re used sparingly, mostly to lend a mythic grandeur to Sambhaji’s heroics (e.g., a slow-motion shot of Sambhaji riding his horse through a battlefield strewn with defeated enemies).
The sound design and Rahman’s background score bolster the picturization. In a war film, sound is half the experience – clashing swords, galloping horses, the roar of cannon fire. Chhaava’s sound is crisp and impactful. When experienced in theaters (especially in IMAX or Dolby Atmos), viewers reported feeling the “boom” of cannons in their seats. The war-cry song “Aaya Re Toofan” is used as a motif; its pounding drums often kick in during battle scenes to pump up the adrenaline. Conversely, moments of tragedy (like Sambhaji’s torture) drop to near silence with minimal score, forcing the audience to confront the grim reality unflinchingly – a directorial decision that makes those scenes even more powerful.
Critique of Direction: While Utekar’s execution is largely lauded, some critics pointed out that in trying to check all boxes, the film’s first half felt tonally uneven. The reverence for the subject sometimes overshadows nuanced storytelling – for example, Sambhaji is depicted in an almost uniformly heroic light, and some expected a bit more exploration of his flaws or dilemmas. Also, the insertion of a romantic song between Sambhaji and Yesubai in the first half, while melodious, slightly jars with the otherwise gritty narrative (a point noted by the TOI review). That said, these are minor quibbles in an otherwise grand directorial effort.
In conclusion, Utekar’s direction and the film’s picturization work hand-in-hand to deliver spectacle with soul. Whether it’s the sight of thousands of soldiers clashing, the thunderous sound of a Marathi powada (folk ballad) echoing as Sambhaji charges, or a quiet shot of the king gazing at his land from a fort rampart, Chhaava offers plenty of cinematic moments that stay with you. The film is a visual feast – best experienced on the big screen for full effect – and it confirms Laxman Utekar’s place among directors who can handle epic subjects with confidence and craft.
7. Location & Set Design – Shooting Locales, Historical Authenticity & Production Design
One of the most impressive aspects of Chhaava is how it transports the audience to 17th-century India, thanks to its meticulously chosen locations and lavish set designs. The filmmakers combined real historical sites with grand studio-built sets to recreate the world of the Marathas and Mughals with authenticity and flair.
Shooting Locations: Chhaava was filmed across several locations in India, each chosen for its historical ambiance and visual appeal. The team truly went the extra mile – literally traveling to significant sites linked to Sambhaji’s life for inspiration and footage. Director Laxman Utekar revealed, “We visited places like Mahabaleshwar, Panchgani, Raigad Fort — jahan jahan Sambhaji Maharaj gaye the, hum wahan gaye” (wherever Sambhaji went, we went there). This on-site research helped in conceptualizing the sets and scenes.
Maharashtra: A significant portion of the film was shot in Maharashtra, which was the heart of the Maratha empire. The town of Wai, known for its ancient temples and ghats on the Krishna River, served as a key shooting location. Wai’s rustic charm and historical structures (it’s been used in other period films like Bajirao Mastani) made it a perfect stand-in for 17th-century villages and fort surroundings. The scenic Menavali Ghat and Mahaganpati Temple in Wai appear in the film, grounding the visuals in real Maratha heritage sites. Additionally, Mahabaleshwar and Pratapgad Fort were utilized for their lush landscapes and fortification backdrops. The production shot some battle scenes in the hills around Mahabaleshwar – Pratapgad (a fort historically associated with Shivaji) is glimpsed in sweeping shots, adding authenticity even if the fort’s history predates Sambhaji’s events.
Pune, Maharashtra: The city of Pune (which has its own Maratha landmarks like Shaniwar Wada and Sinhagad Fort) was tapped for capturing Maratha architecture and atmosphere. The filmmakers used Pune’s heritage-rich sites possibly for sequences representing the Maratha court or urban centers. While Sambhaji’s capital was Raigad Fort, Pune’s historical structures helped recreate general Maratha settings. By filming in these genuine locations, Chhaava gains an organic period look – the textures of old stone walls, the backdrop of the Sahyadri mountains, etc., are real and not just CGI.
Rajasthan: To depict the Mughal imperial settings and some battle sequences, the production went to Rajasthan, a state famous for its forts and palaces. Jaipur (the Pink City) was used for its magnificent architecture – monuments like Amber Fort and Nahargarh Fort provided a grand Mughal-era aesthetic. These locations likely doubled as Aurangzeb’s Delhi court or other northern settings, lending an air of realism to scenes requiring imposing palatial backgrounds. Udaipur, with its lakes and the City Palace, was also reportedly utilized to capture the regal splendor needed for depicting royal encampments or palaces. Using Jaipur and Udaipur iconic sites helped the film seamlessly showcase the contrast between Maratha strongholds and Mughal palaces – viewers see both the ruggedness of Maratha forts and the opulence of Mughal architecture. Furthermore, Jodhpur’s Mehrangarh Fort and surroundings were speculated to be filming spots for large battle scenes or as stand-ins for some Maratha forts. The wide desert landscapes around Jodhpur and Jaipur were ideal for cavalry charges and war camps, which feature in the movie.
Studios (Karjat & Mumbai): Despite all the on-location shooting, many intricate scenes were filmed on sets in studios. Karjat in Maharashtra, home to ND Studios and huge backlots, was extensively used. Karjat allowed the team to build massive outdoor sets (like portions of battlefields or the exterior of Raigad Fort) and to film action with controlled conditions. Mumbai’s Film City was another crucial venue – notably, the Raigad Fort set for Sambhaji’s coronation was constructed there. By using Film City, the production could have hundreds of extras and elaborate decor with the convenience of city infrastructure nearby. Also, indoor scenes (like Aurangzeb’s court interiors or Sambhaji’s chambers) were likely built on soundstages in Mumbai for better control over lighting and detail.
Set Design & Historical Accuracy: The production design team (led by Subrata Chakraborty and Amit Ray) put tremendous effort into recreating the 1680s era. One shining example is the coronation scene of Sambhaji Maharaj in 1681. As per reports, an elaborate set modeled after Raigad Fort was constructed at Film City for this sequence. This set included an accurate reproduction of the throne room with an eight-sided throne (as described in historical records). To ensure authenticity, the team conducted research – they even found an article in a London archive detailing Sambhaji’s coronation ceremony, which helped them design the set and ceremony with historical correctness. During the filming of the coronation song, 700 dancers in traditional attire were used to depict the celebratory rajyabhishek atmosphere. The sequence features period-appropriate elements: Sambhaji performing a yagna (sacred fire ritual), Yesubai doing the Rajabhishek (crowning) and aarti (prayer), and court ministers present in authentic costumes. This attention to detail in set design and ceremony demonstrates the commitment to historical accuracy.
Other sets included Aurangzeb’s encampment – tents and pavilions sprawled under a vast canopy of the sky – and the Mughal Durbar (court), complete with Persian carpets, intricate jaali screens, and calligraphic wall hangings reflecting Mughal art. The dungeons where Sambhaji and his advisor Kavi Kalash are imprisoned were realistically grim, lit by flaming torches and featuring stone walls that convey the coldness of captivity.
Props & Detailing: The props, weaponry, and set dressings in Chhaava add layers of realism. Maratha weapons like swords (talwar), spears, dhals (shields), and the iconic pata (gauntlet sword) are seen in use. The art department even included small details like the Maratha royal seal, letters with Modi script (the script used in Maratha-era documents), and period-accurate maps in war council scenes. Costumes (by Sheetal Sharma) complement the sets: for example, during the court scenes, you’ll notice that Mughal characters wear richly embroidered Angarkhas and Jama robes that match the opulence of the set, whereas Maratha warriors are often in simpler cotton and armor in outdoor scenes, blending with the rugged forts. When Yesubai is in the Raigad palace, the set is adorned with Peshwa-style paintings and decor, and she dons an elegant nauvari saree, creating a coherent visual milieu.
Challenges and Triumphs: Filming on location at forts and mountainous regions posed challenges – weather, accessibility, etc. In Wai, for example, heavy rains at times interrupted shoot schedules (Wai being near the Western Ghats). But the effort paid off as the natural scenery added an irreplaceable authenticity. The large-scale set pieces, like battles involving horses and elephants, required logistical planning. The battle of Sangameshwar (where Sambhaji is finally captured) was filmed on a riverside location that had to mimic the dense forests of the Konkan – the set team planted trees, created fake muddy terrains, and even dug pits to simulate the rough terrain described in history.
The result of all this work is that Chhaava’s world feels lived-in and convincing. When you watch the movie, the transition between real locations and sets is nearly seamless. A viewer might not realize that the Raigad fort courtyard where thousands gather to cheer the new king was actually a set built in Mumbai – it looks and feels like the real fort must have in 1681, perched high in the Sahyadri mountains (thanks to skillful blending of on-location footage and set extension VFX). One Times of India piece marveling at the production described how 700 dancers dancing in flawless unison on a Raigad Fort set, with the sound of authentic Marathi instruments truly brought the kingdom’s celebration to life.
Historical Accuracy: The filmmakers have largely stuck to historical descriptions for important locations. Raigad Fort’s portrayal, the Mughal court in Delhi (or wherever Aurangzeb is camped), and the battlefields like Burhanpur and Sangameshwar are grounded in research. There was minor controversy regarding a creative liberty – a celebratory Lezim dance sequence initially included (a Maharashtrian folk dance) which some argued wasn’t fitting the exact historical context. Interestingly, this sequence was reportedly deleted from the final cut, possibly to avoid debates. Such responsiveness shows the team’s willingness to respect historical sentiment. Overall, while not every single frame is an exact replica of history, Chhaava’s locations and sets deliver historic authenticity with cinematic grandeur.
For any viewer passionate about history or architecture, the film is a treat: it revives forts, courts, and landscapes of a bygone era in vivid detail. Whether it’s the majestic Raigad throne room, the bustling town squares and temple ghats of Wai, or the sprawling Mughal camps under the Rajasthani skyline, Chhaava’s backdrop is an immersive character in itself – one that makes the journey into the past both believable and breathtaking.
8. Themes & Emotional Impact – Connecting with Audiences Culturally and Emotionally
Beyond the battles and pageantry, Chhaava resonates on a thematic and emotional level, striking chords that go deeper than the average action film. It connects with audiences by tapping into universal emotions and cultural pride.
Patriotism and Freedom: A central theme of Chhaava is the fight for Swaraj (self-rule). Sambhaji’s struggle is portrayed not just as a personal vendetta against the Mughals, but as a larger fight for his people’s freedom and dignity. This theme is profoundly moving for Indian audiences, as it echoes the broader historical narrative of India’s quest for independence (though set in a much earlier era). When Sambhaji declares that the fight will continue even if he falls, it elicits a swell of pride in viewers – it’s a moment where cinema transcends entertainment and becomes a tribute to the spirit of resistance that is part of India’s cultural memory. Many audience members reported getting goosebumps or tearing up during scenes where Maratha soldiers shout slogans like “Har Har Mahadev” or when Sambhaji, even in chains, refuses to bow to Aurangzeb. The emotional impact of patriotism is strong; you feel the weight of what Sambhaji and his men are fighting for. In a time when patriotic and historical films are popular, Chhaava strikes a chord by being unabashedly proud of Maratha (and by extension Indian) heritage, without (for the most part) devolving into jingoism. It celebrates bravery and sacrifice for one’s motherland – a theme that universally uplifts.
Sacrifice and Martyrdom: The film does not shy away from the sacrifice aspect of Sambhaji’s story. The torture and execution of Sambhaji is depicted powerfully (though not excessively gory on screen, it’s still quite intense) – these scenes are the emotional crux of the movie. Watching the hero endure unspeakable pain and still definitely uphold his principles is heart-wrenching. It leaves many viewers in tears, and also ignites a deep respect. This reinforces the idea of martyrdom for a cause – an emotional high point that connects with audiences’ admiration for those who lay down their lives for a greater good. Sambhaji’s sacrifice, as shown, becomes a rallying cry; in the film’s epilogue we learn it eventually led to the downfall of the Mughal Empire and rise of Maratha power, giving a sense of historical catharsis. The theme of sacrifice is universal and emotional: parents see the sacrifice of a son of the soil, youngsters see the courage in standing by ideals, and everyone is moved by the notion of enduring pain for one’s people.
Legacy and Memory: Chhaava thematically explores how heroes are remembered and how their legacies inspire future generations. Sambhaji is repeatedly shown mindful of his father Shivaji’s legacy – he often reflects on being worthy of it. In turn, his own legacy becomes a motivator for others. The film’s final moments (with Yesubai crowning Rajaram and continuing the fight) emphasize that ideals live on even if individuals perish. Culturally, this resonates in India where stories of historical figures like Sambhaji are passed down through generations. The movie almost plays the role of a cultural storyteller, renewing Sambhaji’s legacy for today’s generation. This has an emotional impact – Maharashtrians in particular feel a sense of reclaiming their history with pride, and others feel inspired by learning about a hero they might not have known well. One critic noted that Chhaava “maintains its emotional core” even while delivering action, meaning it never loses sight of why Sambhaji’s story matters: it’s about what he stood for.
Family and Loyalty: Alongside patriotic fervor, Chhaava brings in the emotional threads of family bonds and betrayal. Sambhaji’s relationship with his wife Yesubai provides a softer emotional layer. Their reunions and goodbyes, though brief, humanize the warrior king – audiences see a loving husband and father (there are touching moments with their young son as well). These moments connect especially with family audiences – reminding us that behind every historical legend, there were personal relationships and sacrifices. Yesubai’s strength in the aftermath (protecting her family and leading through tragedy) also sends a message of resilient womanhood, which many female viewers found inspiring. On the flip side, the betrayal by Sambhaji’s relatives (like Soyrabai and some greedy courtiers) introduces themes of trust, loyalty, and treachery – universal themes that evoke anger and sadness. Viewers feel Sambhaji’s hurt when he realizes he was betrayed “by his own”. This also makes his eventual capture more tragic, adding layers to the emotional response – it wasn't a valiant defeat in open war, but a backstab, which hurts the audience’s heart and makes them empathize deeply with Sambhaji’s plight.
Cultural Identity: Culturally, Chhaava taps into Maratha pride and identity. The film’s use of Marathi language phrases, traditional Marathi folk music (Powada and Lavani elements in songs), and depiction of Maharashtrian customs (like the coronation rituals, or even the way characters greet with a namaskar) all create a sense of authenticity. For Marathi viewers, this representation is emotional – seeing their culture’s great hero and practices on the big screen instills pride. For non-Maharashtrian viewers, it’s an enriching window into a culturally specific story that still feels nationally relevant. The emotional impact is thus twofold: pride for those who identify closely with the Maratha story, and fascination and respect for those learning about it. It’s somewhat akin to how Braveheart made Scots feel proud and others appreciate Scottish history; Chhaava does that for Marathas and Indians at large.
Inspiration and Empowerment: Many viewers – especially students and young people – reported feeling inspired after watching Chhaava. The theme of never giving up in the face of adversity is loud and clear. Sambhaji’s indomitable spirit becomes a kind of motivational tale. Scenes like Sambhaji addressing his council, urging them to continue fighting no matter what happens to him, resonate as messages of perseverance. Such themes elevate the film from just a history lesson to a source of personal motivation. In conversations and on social media, people have cited dialogues from the film as inspiring quotes. For instance, one fiery line in the climax (when Sambhaji is fighting) roughly translates to “A lion’s cub does not run away at the approach of jackal pups”, implying that a true leader doesn’t fear the minions of a tyrant. Lines like this, delivered in context, draw cheers and also stick in memory as life lessons on courage.
Emotional Rollercoaster: From the high of victory scenes (which make you want to clap) to the lows of tragedy (which may move you to tears), Chhaava deliberately takes the audience on an emotional rollercoaster. The filmmakers paced it such that just when you’re celebrating a win, you’re faced with an emotional setback, mirroring the tumultuous life of Sambhaji. This dynamic keeps audiences emotionally invested throughout. By the end, most viewers feel a mix of sadness (for Sambhaji’s fate), anger (at the atrocities), and upliftment (at his legacy and the continuation of his cause). It’s the kind of emotional mix that spurs discussions on the ride home from the theater and makes the film linger in one’s mind.
In essence, Chhaava connects culturally by honoring a historical legacy and emotionally by highlighting timeless values like bravery, honor, and sacrifice. It’s a film that doesn’t just aim to entertain, but also to touch hearts and instill pride. As a Zee News review aptly put, “Chhaava resonates with its historical significance while maintaining its emotional core.”
It is this emotional core that makes the movie more than a series of events – it becomes a story that can inspire and move an audience, making them laugh, cry, and cheer along with the characters on screen.
9. Why to Watch Chhaava – Top Reasons This Movie Is Worth Your Time
If you’re still on the fence about watching Chhaava, here are some compelling reasons why this film offers a viewing experience that stands out. Whether you’re a history buff, an action aficionado, or just looking for a good story, Chhaava has something special in store:
Vicky Kaushal’s Stellar Performance: Chhaava is *Vicky Kaushal’s show through and through. He delivers a tour-de-force portrayal of Sambhaji – ferocious in battle, dignified in court, and deeply human in private moments. Critics and audiences alike have called it one of his finest performances. Watching Vicky transform into the warrior king – with all the roaring speeches and intense physicality – is alone worth the price of admission. He brings heart and credibility to the film, making you truly care about Sambhaji’s journey.
Epic Story of Bravery and Sacrifice: The movie tells a riveting true story that might not be widely known outside Maharashtra. It’s an opportunity to learn about Chhatrapati Sambhaji Maharaj – a hero who defended his land against one of the most powerful emperors of the time. The storyline is packed with palace intrigue, epic battles, and inspiring moments of courage. If you love films like Braveheart or Gladiator that mix history with human drama, Chhaava will be right up your alley. It’s both educational and thrilling, giving insight into a crucial chapter of Indian history while keeping you engrossed with its narrative twists and turns.
Spectacular Action and Cinematography: On the big screen, Chhaava is a visual spectacle. The battle sequences are grandly mounted with hundreds of warriors, realistic combat choreography, and strategic depth. You’ll witness sieges of forts, guerrilla ambushes in forests, sword duels, and daredevil stunts (including a jaw-dropping scene of Sambhaji fighting a lion). The cinematography captures these in wide, sweeping shots that make you feel the scale, as well as tight shots that put you right in the action. The climax battle and Sambhaji’s last stand are especially awe-inspiring and intense, leaving you at the edge of your seat. If you enjoy well-made action on par with Hollywood epics, Chhaava delivers in spades – and seeing it in theaters (or a big TV with surround sound) will maximize that experience.
Authentic Sets, Costumes, and Music: The film excels in production quality – from the majestic sets of Raigad Fort and Mughal palaces to the intricate period costumes for kings and warriors. It genuinely feels like you’ve stepped into the 1680s. This authenticity adds richness to every frame. Moreover, A.R. Rahman’s music score elevates the emotions throughout. His rousing war anthems will give you goosebumps, and the softer background pieces tug at your heartstrings during emotional scenes. The sound design (battle noises, traditional instruments, etc.) further immerses you in the era. In short, Chhaava is a feast for the senses – visually and aurally.
Emotional Depth and Inspiration: Unlike some action films that are all spectacle, Chhaava has a strong emotional core. You’ll find yourself emotionally invested in Sambhaji’s fate – rooting for him, feeling his triumphs and tragedies. The themes of loyalty, patriotism, and sacrifice are portrayed in a way that’s very moving. Many viewers have left the film feeling inspired by Sambhaji’s resilience and bravery. It’s the kind of story that can ignite a sense of pride and motivation. If you appreciate movies that not only entertain but also make you feel and think, Chhaava will strike that chord. It reminds us of the values of honor and courage, and you might even discover a personal connection to the ideals shown.
Cultural and Historical Significance: Watching Chhaava is also experiencing a piece of cultural heritage brought to life. For those from Maharashtra, it’s a proud depiction of Maratha history and heroes on the big screen (something not often seen at this scale). For others, it’s a chance to delve into India’s rich past beyond the familiar tales. The film doesn’t require prior historical knowledge – it’s very accessible in how it introduces characters and context – so anyone can follow along and appreciate the magnitude of the events. You’ll come away with knowledge about Sambhaji Maharaj and the Maratha-Mughal conflict, making the viewing experience enriching as well as entertaining. In essence, Chhaava offers that fulfilling feeling of having watched a story that matters.
Massive Entertainment Value: At the end of the day, Chhaava is a high-energy, well-crafted entertainment package. It has something for everyone: high-stakes drama, heroic battles, a touch of romance, betrayal and suspense, and even a couple of soulful songs to give you a breather. The pacing (especially in the second half) keeps you hooked. Director Laxman Utekar has ensured there’s never a dull moment as the film builds to a powerful climax. If you love getting absorbed in long, immersive films that take you on a journey, Chhaava will not disappoint. It’s the kind of movie where audiences have clapped at the end, and some even returned for repeat viewings because of how grand and engaging it is.
In conclusion, Chhaava is worth watching for its remarkable storytelling, technical brilliance, and the emotional impact it delivers. It stands out in the current landscape of Indian cinema as a film that dares to be ambitious and largely succeeds at it. Whether you’re watching on the big screen or waiting for it on Netflix, Chhaava promises a memorable experience – one that entertains, educates, and inspires all at once. Don’t miss out on this roaring saga of the “lion cub” who shook an empire and won the hearts of his people. Enjoy the film, and prepare to be moved by the legend of Chhatrapati Sambhaji Maharaj!